Paper Title: Santoshkumarer 'Kanakori'r Manmatha-Sabitrir Dampatyo-Daaridro : Kaalketu-Phoolloraar Dampatyo Jeebaner Binirmito Roop
Author:
Abstract:
It is said that one side of the river is broken and the other side is built. The river moves on its own through the cracks. There is flow in the river. Due to which the river always takes a new form for us. There's a game in literature. As a result, construction takes place. As time goes on, new ways of thinking come into play. And we're looking for something new. There is always a search for innovation. And we have many ways to find it. Breaking the cycle, we find a new path - construction. And that requires insight. Be it new or old, new or old, new or old.
In terms of time, there is a huge difference in the context of the period of Kalaketu-Fullara of the poem 'Chandimangal' from Manmatha-Savitri of 'Kanakadi' of Santosh Kumar Ghosh. But it is not limited to a certain period of time. We can easily go from the 20th century to the Middle Ages. In the story of 'Kanakadi' of Santosh Kumar Ghosh after the second world war, the tension of marriage, poverty and suspicious mind is seen in the characters. In the Chandimangal poetry of the mediaeval period, the same qualities are observed between Kalketu and Phulara. The real secret of construction lies in not adhering to time. In the poetry of the Middle Ages, those aspects of marriage, poverty, and doubt are found in comparison with the minds of the characters of the 20th century.
Keywords:Santoshkumarer, Kanakori'r , Manmatha-Sabitrir, Dampatyo-Daaridro :
Doi Link – https://dx.doi.org/10.63431/AIJITR/1.II.2024.38-43
Review By – Dr. Sk Sabbir Hossen